The Face of Light, St Leo's Centennial Mass, Tacoma 1979 Today's Coolphoto 12/30/2023


The Face of Light, St Leo's Centennial Mass, Tacoma 1979 Today's Coolphoto 12/30/2023

In 1919 the massive church building burned down. The congregation made the basement a sanctuary, which is still in use today.

In 1879, just a year before my grandfather was born on the island of Hvar, and just a few years before he and his family fled to Tacoma from Dalmatia, J.B.A. Brondel established a missionary Church of St Leo the Great in Tacoma. In 1901 Peter Hylebos built a 2200 seat sanctuary for the community on the hilltop above New Tacoma. It was spiritual home to European immigrants, running from the grinding poverty of the Gilded Age of Europe, all hoping that life here would get them out of the hole and onto the path to a better life. In twenty years the glorious building burned to the ground, and the congregation had to make due with a church in the basement, hoping to build later. It was not to be; the sanctuary is in the old basement still.

Faye LaPointe On the Steps of New House.

Bix At The G Street Community. He lived there until his illness and death recently.

Our family parish growing up was St Pat’s, across town from St Leo’s. In the mid seventies, after St Leo’s started to decline and had closed its schools, Jesuits Bill Bichsel, David Rothrock, and Peter Byrne came to the community focused on the precarious existence of the poor in the neighborhood around St Leo’s. They took the call to social justice at its word and in doing so, created a community of remarkable generosity. This is where I found myself, struggling in a lousy economy and stumbliing out of a bad marriage .

Sunday Morning Breakfast In The Old St Leo’s school basement

The St Leo’s community colaesced around the mid-morning Sunday service at 10:30. The hallmark of the experience was complete acceptance of whoever walked in the door. Downtown Tacoma was blighted, with storefronts abandoned as the major retailers left for the Tacoma Mall. On top of that, the nearby mental hospital discharged patients to the streets of downtown where crime and alcoholism ravaged them.

Hilltop Tacoma at the time of the church’s founding in 1879 was a prosperous place, with large expensive homes climbing up the steep slope from the water. The boom was fuelled by land speculation and the timber harvest. The Panic of 1893 hit hard and over time the generation of business owners and senior managers that built them aged out. Hilltop became home to poor people, mostly Black. They lived in the big houses until they became unlivable, and eventually the city tore them down as part of a mid-century Urban Renewal push. They tore them down, but built nothing in their place.

Ella Carter lived across the street from the school. She was 100 years old in 1977.

With the door open to all sorts, including the prosperous from the better part of town, the indigent, the beaten down, and the forgotten, people showed up in disarray, mental and physical. Thanks to the generosity of spirit modelled by Bix, Peter, and David, we accepted them as part of our community, and we saw their confused wanderings as a real sign of the Cross. They were welcomed, as we all were, and there was peace.

Thus when the centennial approached, the congregation met it as a happy group. We were happy to know that we could welcome each other. We were happy to know that our lives for that short time on Sunday was closer to the word than they would have been otherwise. And we found ourselves living in an explosion of personal creativity. The artwork in the church grew sophisticated and beautiful. The music became wonderful, and the commentary during the service grew more thoughtful and inspiring. And over time we were happy to see that the embrace we all felt at 10:30 Mass widened into real sevice given to the neighborhood.

There was the drop-in center in an old storefront opened on Christmas Eve on Commerce called Nativity House. There was the Food Connection established in the old school basement. There was the small house David and Peter shared with Greg and Freddie, two handicapped men. There was New House run by Faye LaPointe, open to women seeking restorative justice. There was the G Street Community of common social fellowship, which to this day includes my brother. And there was the Native People’s Mass, said for years by Pat Twohy, every Sunday afternoon at two.

All of this flowed from the heart as a gushing fountain of peace. We celebrated the hundredth birthday of St Leos with our eyes dazzled by its brilliance. But life took over, and the fabric of the community of friends wore out, even as the brilliance of the mission continued. Couples divorced, as they will. Priests left the priesthood. Friends died from age and suicide. I became disillusioned by the deplorable history of abuse and the inexcusable cover-up over decades. The institution seemed to slip off a rotten foundation in a heap.

It is nearly fifty years now since the centennial was marked by the joy of community that I remember. Nativity House still operates, New House is gone, but the G street community exists still. People still have a place to get food at the Food Connection. The church service draws still and offers acceptance.

But I wonder, will they all continue as before? Now St Leo’s cannot be staffed by a Jesuit priest because there aren’t enough of them. The congregation has become too small to sustain its mission and will merge with a parish across town, far removed from the old neighborhood.

I wonder, after nearly 150 years, will the light of St Leo’s go out for the prosperous from the better part of town, for the poor downtown, for the indigent, the beaten down, and the forgotten?


The Face of Light, St Leo's Centennial Mass, Tacoma 1979 Today's Coolphoto 12/30/2023
©2023 Christopher Petrich


Thanks to you my good friends for fifty years of professional photography and twenty five years of online success with Coolphoto.com! I am at the end of my retail sales career and am closing up shop by the end of this year. I will continue to post new work on Coolphoto, in the form of members-only galleries and Today’s Coolphoto blog posts such as this.

I am sending selected original photographs to the Christopher Petrich Collection at the Northwest Room of the Tacoma Public Library, and I am creating new bound volumes of selected pieces under my Coolphoto imprint. I have four titles in the pipeline to add to the three volumes already published: A Complete Guide To The Lighthouses on Puget Sound Including Admiralty Inlet (ISBN: 978‐0‐9744775-0-8), Dreams (ISBN: 978-0-9744775-1-0) and The Beach At Fox Island (ISBN: 978‐0‐9744775‐2‐7). Each new title will be issued in very small editions of 100 or fewer copies.

For those with questions about my original works, or anything else for that matter, please send me a message. I’d love to hear from you!


NEW PHOTOGRAPHY, BEAUTIFUL AND ORIGINAL

Most Editions are small, 5 and under. I’ve been at this a very long time and I have hundreds of vintage silver collectibles. I’m always taking pictures in Tacoma, of Tacoma people. The best images, on the best paper, in small editions, from a Tacoma photographer, of Tacoma.


Vintage prints are made within a year of the photographs create date. My usual practice is to print within a few days or weeks of exposure. What you see is a scan of the actual print that is for sale. Price does not include shipping or taxes.

Please note that vintage prints are imperfect. They’re old, after all. If you’re worried about it, bring it up. I’ll do my best to answer your questions.

Vintage - When I print the photograph within a year of the original exposure, that becomes a Vintage Print.
Archival Pigment - When I print in my studio using computer technology with pigmented inks on acid and lignin free paper, I call that an Archival Pigment Print.
Silver - When I print in my darkroom on gelatin silver paper, that is a Silver Print. These prints are double weight on a cotton fiber base.

For a private viewing of my current work, call 253 961 7147 to reserve your place on my calendar.

Cooney Iron Workers Move Big Red, Tacoma 1975 Today's Coolphoto 12/27/2023


Cooney Iron Workers Move Big Red, Tacoma 1975 Today's Coolphoto 12/27/2023

Ed Isenhart Filming The Move Of Big Red, May 1975

In the mid-seventies the Port Of Tacoma was ready to increase it’s container loading capacity by installing massive cranes along the newly built dock on the Blair Waterway. The first of these we called Big Red. My friends Ed and Wendy Isenhart had recently organized a new film company at their kitchen table named Bodacious Films, and contracted with the Port to document the move by Cooney Erections (sic) of the massive machine from barge to dock. Ed filmed with a hand-wound, spring-driven Bolex 16mm film camera over the several days and nights of the operation. He invited me to shoot stills.

Big Red Installed On The Blair Waterway, May 1975

I felt right at home down on the docks of the new container port, since the crane was to operate at the exact spot that Western Boat had occupied until the area was filled with dredge tailings from widening and deepening the Blair. Western Boat was founded and operated by my grandfather and his boys for more than 70 years from early in the 20th century. Where once there was a waterway into which the Western fishing boats were launched (including the Western Flyer,) there was now an enormous dock.

As world trade exploded in the fifty years since that move, the Port container facility has become the largest on Puget Sound and one of the largest in the world. As trade grew, so the ships got bigger, and the cranes to load them grew apace. The Big Red crane we filmed has long ago been decommissioned, dismantled, and removed.

(Ed and Wendy dropped Boadacious Film for Puget Sound and Pictures, which they operated for a number of years down in Old Town Tacoma, across from the Spar Tavern.)

Cooney Iron Workers Move Big Red, Tacoma 1975 Today's Coolphoto 12/27/2023
©2023 Christopher Petrich


Thanks to you my good friends for fifty years of professional photography and twenty five years of online success with Coolphoto.com! I am at the end of my retail sales career and am closing up shop by the end of this year. I will continue to post new work on Coolphoto, in the form of members-only galleries and Today’s Coolphoto blog posts such as this.

I am sending selected original photographs to the Christopher Petrich Collection at the Northwest Room of the Tacoma Public Library, and I am creating new bound volumes of selected pieces under my Coolphoto imprint. I have four titles in the pipeline to add to the three volumes already published: A Complete Guide To The Lighthouses on Puget Sound Including Admiralty Inlet (ISBN: 978‐0‐9744775-0-8), Dreams (ISBN: 978-0-9744775-1-0) and The Beach At Fox Island (ISBN: 978‐0‐9744775‐2‐7). Each new title will be issued in very small editions of 100 or fewer copies.

For those with questions about my original works, or anything else for that matter, please send me a message. I’d love to hear from you!


NEW PHOTOGRAPHY, BEAUTIFUL AND ORIGINAL

Most Editions are small, 5 and under. I’ve been at this a very long time and I have hundreds of vintage silver collectibles. I’m always taking pictures in Tacoma, of Tacoma people. The best images, on the best paper, in small editions, from a Tacoma photographer, of Tacoma.


Vintage prints are made within a year of the photographs create date. My usual practice is to print within a few days or weeks of exposure. What you see is a scan of the actual print that is for sale. Price does not include shipping or taxes.

Please note that vintage prints are imperfect. They’re old, after all. If you’re worried about it, bring it up. I’ll do my best to answer your questions.

Vintage - When I print the photograph within a year of the original exposure, that becomes a Vintage Print.
Archival Pigment - When I print in my studio using computer technology with pigmented inks on acid and lignin free paper, I call that an Archival Pigment Print.
Silver - When I print in my darkroom on gelatin silver paper, that is a Silver Print. These prints are double weight on a cotton fiber base.

For a private viewing of my current work, call 253 961 7147 to reserve your place on my calendar.

Rachel And Her Father, Tacoma 1974 Today's Coolphoto 12/15/2023


Rachel And Her Father, Tacoma 1974 Today's Coolphoto 12/15/2023

Ron Fields was a professor of art history at the University of Puget Sound when he asked me to make copies of the paintings of Abby Williams Hill. Hill created a large body of landscapes that were used by the railroads to illustrate the wonders of the west for the people in the east. Dr Fields wrote the book on Hill and in time retired as professor emeritus from the university.

Ron was a softspoken man and I found him amenable in creating this copy work. It involved driving up to the archives of the university, loading a bunch of these rather large pieces into my little Ford Pinto, driving the lot down to my makeshift studio, making the copies, then going round again for the next batch.

At the end of the project, he wanted my help in making pictures of his young daughter. She must have been about two at the time, obviously cherished by Ron. We spent a pleasant hour at his house in the back garden. After I delivered the prints, I lost touch with the family, and I never saw Rachel again.

Rachel And Her Father, Tacoma 1974 Today's Coolphoto 12/13/2023
©2023 Christopher Petrich


Thanks to you my good friends for fifty years of professional photography and twenty five years of online success with Coolphoto.com! I am at the end of my retail sales career and am closing up shop by the end of this year. I will continue to post new work on Coolphoto, in the form of members-only galleries and Today’s Coolphoto blog posts such as this.

I am sending selected original photographs to the Christopher Petrich Collection at the Northwest Room of the Tacoma Public Library, and I am creating new bound volumes of selected pieces under my Coolphoto imprint. I have four titles in the pipeline to add to the three volumes already published: A Complete Guide To The Lighthouses on Puget Sound Including Admiralty Inlet (ISBN: 978‐0‐9744775-0-8), Dreams (ISBN: 978-0-9744775-1-0) and The Beach At Fox Island (ISBN: 978‐0‐9744775‐2‐7). Each new title will be issued in very small editions of 100 or fewer copies.

For those with questions about my original works, or anything else for that matter, please send me a message. I’d love to hear from you!


NEW PHOTOGRAPHY, BEAUTIFUL AND ORIGINAL

Most Editions are small, 5 and under. I’ve been at this a very long time and I have hundreds of vintage silver collectibles. I’m always taking pictures in Tacoma, of Tacoma people. The best images, on the best paper, in small editions, from a Tacoma photographer, of Tacoma.


Vintage prints are made within a year of the photographs create date. My usual practice is to print within a few days or weeks of exposure. What you see is a scan of the actual print that is for sale. Price does not include shipping or taxes.

Please note that vintage prints are imperfect. They’re old, after all. If you’re worried about it, bring it up. I’ll do my best to answer your questions.

Vintage - When I print the photograph within a year of the original exposure, that becomes a Vintage Print.
Archival Pigment - When I print in my studio using computer technology with pigmented inks on acid and lignin free paper, I call that an Archival Pigment Print.
Silver - When I print in my darkroom on gelatin silver paper, that is a Silver Print. These prints are double weight on a cotton fiber base.

For a private viewing of my current work, call 253 961 7147 to reserve your place on my calendar.

Joni, Cold Blue Steel, Seattle Center Arena 1974 Today's Coolphoto 12/13/2023


Joni, Cold Blue Steel, Seattle Center Arena 1974 Today's Coolphoto 12/13/2023

Time and tide wait for no man.“ - Geoffrey Chaucer

Joni Mitchell is all over the news, which led me to search for photos I took when she came to Seattle in 1974. I’ve been playing make-believe album covers and threw one of only two frames that were marginally sharp. I was shooting from my seat (we heard concerts from our seats back then), holding the camera without a support.

This is the other shot.

Joni, Cold Blue Steel, Seattle Center Arena 1974 Today's Coolphoto 12/13/2023
©2023 Christopher Petrich


Thanks to you my good friends for fifty years of professional photography and twenty five years of online success with Coolphoto.com! I am at the end of my retail sales career and am closing up shop by the end of this year. I will continue to post new work on Coolphoto, in the form of members-only galleries and Today’s Coolphoto blog posts such as this.

I am sending selected original photographs to the Christopher Petrich Collection at the Northwest Room of the Tacoma Public Library, and I am creating new bound volumes of selected pieces under my Coolphoto imprint. I have four titles in the pipeline to add to the three volumes already published: A Complete Guide To The Lighthouses on Puget Sound Including Admiralty Inlet (ISBN: 978‐0‐9744775-0-8), Dreams (ISBN: 978-0-9744775-1-0) and The Beach At Fox Island (ISBN: 978‐0‐9744775‐2‐7). Each new title will be issued in very small editions of 100 or fewer copies.

For those with questions about my original works, or anything else for that matter, please send me a message. I’d love to hear from you!


NEW PHOTOGRAPHY, BEAUTIFUL AND ORIGINAL

Most Editions are small, 5 and under. I’ve been at this a very long time and I have hundreds of vintage silver collectibles. I’m always taking pictures in Tacoma, of Tacoma people. The best images, on the best paper, in small editions, from a Tacoma photographer, of Tacoma.


Vintage prints are made within a year of the photographs create date. My usual practice is to print within a few days or weeks of exposure. What you see is a scan of the actual print that is for sale. Price does not include shipping or taxes.

Please note that vintage prints are imperfect. They’re old, after all. If you’re worried about it, bring it up. I’ll do my best to answer your questions.

Vintage - When I print the photograph within a year of the original exposure, that becomes a Vintage Print.
Archival Pigment - When I print in my studio using computer technology with pigmented inks on acid and lignin free paper, I call that an Archival Pigment Print.
Silver - When I print in my darkroom on gelatin silver paper, that is a Silver Print. These prints are double weight on a cotton fiber base.

For a private viewing of my current work, call 253 961 7147 to reserve your place on my calendar.

Matron In Reverie, Union Station Tacoma 1973 Today's Coolphoto 12/10/2023


Matron In Reverie, Union Station Tacoma 1973 Today's Coolphoto 12/10/2023

Time and tide wait for no man.“ - Geoffrey Chaucer

Matron In Reverie, Union Station Tacoma 1973 Today's Coolphoto 12/10/2023
©2023 Christopher Petrich


Thanks to you my good friends for fifty years of professional photography and twenty five years of online success with Coolphoto.com! I am at the end of my retail sales career and am closing up shop by the end of this year. I will continue to post new work on Coolphoto, in the form of members-only galleries and Today’s Coolphoto blog posts such as this.

I am sending selected original photographs to the Christopher Petrich Collection at the Northwest Room of the Tacoma Public Library, and I am creating new bound volumes of selected pieces under my Coolphoto imprint. I have four titles in the pipeline to add to the three volumes already published: A Complete Guide To The Lighthouses on Puget Sound Including Admiralty Inlet (ISBN: 978‐0‐9744775-0-8), Dreams (ISBN: 978-0-9744775-1-0) and The Beach At Fox Island (ISBN: 978‐0‐9744775‐2‐7). Each new title will be issued in very small editions of 100 or fewer copies.

For those with questions about my original works, or anything else for that matter, please send me a message. I’d love to hear from you!


NEW PHOTOGRAPHY, BEAUTIFUL AND ORIGINAL

Most Editions are small, 5 and under. I’ve been at this a very long time and I have hundreds of vintage silver collectibles. I’m always taking pictures in Tacoma, of Tacoma people. The best images, on the best paper, in small editions, from a Tacoma photographer, of Tacoma.


Vintage prints are made within a year of the photographs create date. My usual practice is to print within a few days or weeks of exposure. What you see is a scan of the actual print that is for sale. Price does not include shipping or taxes.

Please note that vintage prints are imperfect. They’re old, after all. If you’re worried about it, bring it up. I’ll do my best to answer your questions.

Vintage - When I print the photograph within a year of the original exposure, that becomes a Vintage Print.
Archival Pigment - When I print in my studio using computer technology with pigmented inks on acid and lignin free paper, I call that an Archival Pigment Print.
Silver - When I print in my darkroom on gelatin silver paper, that is a Silver Print. These prints are double weight on a cotton fiber base.

For a private viewing of my current work, call 253 961 7147 to reserve your place on my calendar.

Cèilidh Dancers Listen To The Pipers, Union Station Tacoma 1973 Today's Coolphoto 12/9/2023


Cèilidh Dancers Listen To The Pipers, Union Station Tacoma 1973 Today's Coolphoto 12/9/2023

Time and tide wait for no man.“ - Geoffrey Chaucer

Cèilidh Dancers Listen To The Pipers, Union Station Tacoma 1973 Today's Coolphoto 12/9/2023
©2023 Christopher Petrich


Thanks to you my good friends for fifty years of professional photography and twenty five years of online success with Coolphoto.com! I am at the end of my retail sales career and am closing up shop by the end of this year. I will continue to post new work on Coolphoto, in the form of members-only galleries and Today’s Coolphoto blog posts such as this.

I am sending selected original photographs to the Christopher Petrich Collection at the Northwest Room of the Tacoma Public Library, and I am creating new bound volumes of selected pieces under my Coolphoto imprint. I have four titles in the pipeline to add to the three volumes already published: A Complete Guide To The Lighthouses on Puget Sound Including Admiralty Inlet (ISBN: 978‐0‐9744775-0-8), Dreams (ISBN: 978-0-9744775-1-0) and The Beach At Fox Island (ISBN: 978‐0‐9744775‐2‐7). Each new title will be issued in very small editions of 100 or fewer copies.

For those with questions about my original works, or anything else for that matter, please send me a message. I’d love to hear from you!


NEW PHOTOGRAPHY, BEAUTIFUL AND ORIGINAL

Most Editions are small, 5 and under. I’ve been at this a very long time and I have hundreds of vintage silver collectibles. I’m always taking pictures in Tacoma, of Tacoma people. The best images, on the best paper, in small editions, from a Tacoma photographer, of Tacoma.


Vintage prints are made within a year of the photographs create date. My usual practice is to print within a few days or weeks of exposure. What you see is a scan of the actual print that is for sale. Price does not include shipping or taxes.

Please note that vintage prints are imperfect. They’re old, after all. If you’re worried about it, bring it up. I’ll do my best to answer your questions.

Vintage - When I print the photograph within a year of the original exposure, that becomes a Vintage Print.
Archival Pigment - When I print in my studio using computer technology with pigmented inks on acid and lignin free paper, I call that an Archival Pigment Print.
Silver - When I print in my darkroom on gelatin silver paper, that is a Silver Print. These prints are double weight on a cotton fiber base.

For a private viewing of my current work, call 253 961 7147 to reserve your place on my calendar.

A Gentleman At Wayne State University Detroit 1973 Today's Coolphoto 12/8/2023


A Gentleman At Wayne State University Detroit 1973 Today's Coolphoto 12/8/2023

Time and tide wait for no man.“ - Geoffrey Chaucer

The crowd I hung with at Georgetown dispersed by Junior Year. These were literature and history scholars who found themsleves pulled away by life. Two or them managed to find a home at Wayne State in Detroit. That is where I headed in late Spring.

Wayne State University is smack-dab in the middle of the city. As it carved out a collection of urban blocks, its campus is criss-crossed by busy streets. While I waited for Stephen and George to finish up their classes I wandered nearby taking pictures.

This young guy was just passing through, and he was a courteous man, a real gentleman. He looked like he was wearing one of those boonie jungle caps from VietNam. He may have just gotten out of service there with everything intact, or he may have just liked the hat.

A Gentleman At Wayne State University Detroit 1973 Today's Coolphoto 12/8/2023
©2023 Christopher Petrich


Thanks to you my good friends for fifty years of professional photography and twenty five years of online success with Coolphoto.com! I am at the end of my retail sales career and am closing up shop by the end of this year. I will continue to post new work on Coolphoto, in the form of members-only galleries and Today’s Coolphoto blog posts such as this.

I am sending selected original photographs to the Christopher Petrich Collection at the Northwest Room of the Tacoma Public Library, and I am creating new bound volumes of selected pieces under my Coolphoto imprint. I have four titles in the pipeline to add to the three volumes already published: A Complete Guide To The Lighthouses on Puget Sound Including Admiralty Inlet (ISBN: 978‐0‐9744775-0-8), Dreams (ISBN: 978-0-9744775-1-0) and The Beach At Fox Island (ISBN: 978‐0‐9744775‐2‐7). Each new title will be issued in very small editions of 100 or fewer copies.

For those with questions about my original works, or anything else for that matter, please send me a message. I’d love to hear from you!


NEW PHOTOGRAPHY, BEAUTIFUL AND ORIGINAL

Most Editions are small, 5 and under. I’ve been at this a very long time and I have hundreds of vintage silver collectibles. I’m always taking pictures in Tacoma, of Tacoma people. The best images, on the best paper, in small editions, from a Tacoma photographer, of Tacoma.


Vintage prints are made within a year of the photographs create date. My usual practice is to print within a few days or weeks of exposure. What you see is a scan of the actual print that is for sale. Price does not include shipping or taxes.

Please note that vintage prints are imperfect. They’re old, after all. If you’re worried about it, bring it up. I’ll do my best to answer your questions.

Vintage - When I print the photograph within a year of the original exposure, that becomes a Vintage Print.
Archival Pigment - When I print in my studio using computer technology with pigmented inks on acid and lignin free paper, I call that an Archival Pigment Print.
Silver - When I print in my darkroom on gelatin silver paper, that is a Silver Print. These prints are double weight on a cotton fiber base.

For a private viewing of my current work, call 253 961 7147 to reserve your place on my calendar.

The Little Police Car, London 1972 Today's Coolphoto 12/6/2023


The Little Police Car, London 1972 Today's Coolphoto 12/6/2023

Time and tide wait for no man.“ - Geoffrey Chaucer

Do I laugh, or cry?

It seemed so quaint, even then. Yet now, given the times, it looks like a clown car. Those tiny wheels had a place on park walks, because they fit. And the times in London were less desperate than now. The protests were serious, but there were no bombs in London, yet. That was still a few months away when the IRA spread its gospel of vengence to London. But this was May, and the crowd in this protest was calm.

These days, not so much, and the little car would be now be a tank.

Do I laugh, or cry.

The Little Police Car, London 1972 Today's Coolphoto 12/6/2023
©2023 Christopher Petrich


Thanks to you my good friends for fifty years of professional photography and twenty five years of online success with Coolphoto.com! I am at the end of my retail sales career and am closing up shop by the end of this year. I will continue to post new work on Coolphoto, in the form of members-only galleries and Today’s Coolphoto blog posts such as this.

I am sending selected original photographs to the Christopher Petrich Collection at the Northwest Room of the Tacoma Public Library, and I am creating new bound volumes of selected pieces under my Coolphoto imprint. I have four titles in the pipeline to add to the three volumes already published: A Complete Guide To The Lighthouses on Puget Sound Including Admiralty Inlet (ISBN: 978‐0‐9744775-0-8), Dreams (ISBN: 978-0-9744775-1-0) and The Beach At Fox Island (ISBN: 978‐0‐9744775‐2‐7). Each new title will be issued in very small editions of 100 or fewer copies.

For those with questions about my original works, or anything else for that matter, please send me a message. I’d love to hear from you!


NEW PHOTOGRAPHY, BEAUTIFUL AND ORIGINAL

Most Editions are small, 5 and under. I’ve been at this a very long time and I have hundreds of vintage silver collectibles. I’m always taking pictures in Tacoma, of Tacoma people. The best images, on the best paper, in small editions, from a Tacoma photographer, of Tacoma.


Vintage prints are made within a year of the photographs create date. My usual practice is to print within a few days or weeks of exposure. What you see is a scan of the actual print that is for sale. Price does not include shipping or taxes.

Please note that vintage prints are imperfect. They’re old, after all. If you’re worried about it, bring it up. I’ll do my best to answer your questions.

Vintage - When I print the photograph within a year of the original exposure, that becomes a Vintage Print.
Archival Pigment - When I print in my studio using computer technology with pigmented inks on acid and lignin free paper, I call that an Archival Pigment Print.
Silver - When I print in my darkroom on gelatin silver paper, that is a Silver Print. These prints are double weight on a cotton fiber base.

For a private viewing of my current work, call 253 961 7147 to reserve your place on my calendar.

Soccer, Tacoma 1973, Today's Coolphoto 12/5/2023


Soccer, Tacoma 1973, Today's Coolphoto 12/5/2023

Time and tide wait for no man.“ - Geoffrey Chaucer

Soccer, Tacoma 1973, Today's Coolphoto 12/5/2023
©2023 Christopher Petrich


Thanks to you my good friends for fifty years of professional photography and twenty five years of online success with Coolphoto.com! I am at the end of my retail sales career and am closing up shop by the end of this year. I will continue to post new work on Coolphoto, in the form of members-only galleries and Today’s Coolphoto blog posts such as this.

I am sending selected original photographs to the Christopher Petrich Collection at the Northwest Room of the Tacoma Public Library, and I am creating new bound volumes of selected pieces under my Coolphoto imprint. I have four titles in the pipeline to add to the three volumes already published: A Complete Guide To The Lighthouses on Puget Sound Including Admiralty Inlet (ISBN: 978‐0‐9744775-0-8), Dreams (ISBN: 978-0-9744775-1-0) and The Beach At Fox Island (ISBN: 978‐0‐9744775‐2‐7). Each new title will be issued in very small editions of 100 or fewer copies.

For those with questions about my original works, or anything else for that matter, please send me a message. I’d love to hear from you!


NEW PHOTOGRAPHY, BEAUTIFUL AND ORIGINAL

Most Editions are small, 5 and under. I’ve been at this a very long time and I have hundreds of vintage silver collectibles. I’m always taking pictures in Tacoma, of Tacoma people. The best images, on the best paper, in small editions, from a Tacoma photographer, of Tacoma.


Vintage prints are made within a year of the photographs create date. My usual practice is to print within a few days or weeks of exposure. What you see is a scan of the actual print that is for sale. Price does not include shipping or taxes.

Please note that vintage prints are imperfect. They’re old, after all. If you’re worried about it, bring it up. I’ll do my best to answer your questions.

Vintage - When I print the photograph within a year of the original exposure, that becomes a Vintage Print.
Archival Pigment - When I print in my studio using computer technology with pigmented inks on acid and lignin free paper, I call that an Archival Pigment Print.
Silver - When I print in my darkroom on gelatin silver paper, that is a Silver Print. These prints are double weight on a cotton fiber base.

For a private viewing of my current work, call 253 961 7147 to reserve your place on my calendar.

Mary Faces The Pacific, San Francisco 1973, Today's Coolphoto 12/2/2023


Mary Faces The Pacific, San Francisco 1973, Today's Coolphoto 12/2/2023

Time and tide wait for no man.“ - Geoffrey Chaucer

Mary Faces The Pacific, San Francisco 1973, Today's Coolphoto 12/2/2023
©2023 Christopher Petrich


Thanks to you my good friends for fifty years of professional photography and twenty five years of online success with Coolphoto.com! I am at the end of my retail sales career and am closing up shop by the end of this year. I will continue to post new work on Coolphoto, in the form of members-only galleries and Today’s Coolphoto blog posts such as this.

I am sending selected original photographs to the Christopher Petrich Collection at the Northwest Room of the Tacoma Public Library, and I am creating new bound volumes of selected pieces under my Coolphoto imprint. I have four titles in the pipeline to add to the three volumes already published: A Complete Guide To The Lighthouses on Puget Sound Including Admiralty Inlet (ISBN: 978‐0‐9744775-0-8), Dreams (ISBN: 978-0-9744775-1-0) and The Beach At Fox Island (ISBN: 978‐0‐9744775‐2‐7). Each new title will be issued in very small editions of 100 or fewer copies.

For those with questions about my original works, or anything else for that matter, please send me a message. I’d love to hear from you!


NEW PHOTOGRAPHY, BEAUTIFUL AND ORIGINAL

Most Editions are small, 5 and under. I’ve been at this a very long time and I have hundreds of vintage silver collectibles. I’m always taking pictures in Tacoma, of Tacoma people. The best images, on the best paper, in small editions, from a Tacoma photographer, of Tacoma.


Vintage prints are made within a year of the photographs create date. My usual practice is to print within a few days or weeks of exposure. What you see is a scan of the actual print that is for sale. Price does not include shipping or taxes.

Please note that vintage prints are imperfect. They’re old, after all. If you’re worried about it, bring it up. I’ll do my best to answer your questions.

Vintage - When I print the photograph within a year of the original exposure, that becomes a Vintage Print.
Archival Pigment - When I print in my studio using computer technology with pigmented inks on acid and lignin free paper, I call that an Archival Pigment Print.
Silver - When I print in my darkroom on gelatin silver paper, that is a Silver Print. These prints are double weight on a cotton fiber base.

For a private viewing of my current work, call 253 961 7147 to reserve your place on my calendar.